Three Celebrities I Wholeheartedly Endorse

All right, peeps! While I usually express somewhat of an elitist disdain for celebrity culture and celebrity worship, the following three mainstream celebs have without a doubt garnered my full support! 

Number One: Mindy Kaling

Most famous for portraying Kelly Kapoor in NBC's The Office, also a writer, producer and director

Other credits: Recently published a memoir Is Everyone Hanging Out with Me? (And Other Concerns) and will be starring in her own sitcom called The Mindy Project starting on the fall.

Basic info: 33 years old, South Asian American, graduate of Dartmouth

Why I respect her: First of all, Mindy is, like, the only Asian American female actress that I've encountered that does NOT play an overly sexualized or racially stereotypical role (I'm indicting you, LUCY LIU!). Not only that, she is also a talented writer and has produced and directed at The Office. So right off the bat I am a fan.

Second, she has the perfect constellation of traits: 

• generation-y 
• middle class upbringing
• prestigious liberal arts education/vocabulary
• is completely witty+hilarious
• has a fresh perspective on body issues (i.e. she acknowledges the pressures of being thin in Hollywood yet considers dieting as a sort of fun pastime. In other words, she doesn't take "weight issues" too seriously--preoccupations like that don't consumer her.)
• unashamed about her obsession with TV and pop culture She knows that she's totally mainstream re: her movie tastes. I mean, she's aware that romantic comedies are awful and contrived. She's made peace with that and just enjoys it for what it is: trashy, implausible escapism.
• she's not totally consumed with race. God, what a relief!!! I mean, obviously she's racially aware, but she doesn't have a personal vendetta against all white people that ever lived. Whew. She straddles the intersections of her race & class with real grace, I believe. GO MINDY! 

Where to begin if not a fan yet? I would recommend reading her autobiography, hands down. I mean, it's definitely meandering and unfocused in a lot of spots, but it will literally make you laugh out loud AND you will also start to love her. Available for Kindle on KCLS Overdrive.

Number Two: Donald Glover

Most famous for portraying Troy Barnes in NBC's Community.


Other credits: former writer for NBC's 30 Rock, has a Comedy Central stand-up special, Weirdo, and is a rapper on the side by the name of Childish Gambino.

Basic Info: 28 years old, African American, graduate of New York University

Why I respect him: Like Kaling, Donald Glover does not portray a "typical" black male on Community. He is somewhat nerdy (in a cool way) and is a likable character (unlike Omar Epps in House or Phoenix in Fast Five--ugh, the black "bad guy" trope bugs the heck out of me!).


Constellation of awesome traits:

• generation-y
• middle class upbringing
• parents are devout Jehovah's witnesses and took in foster kids (i.e. He is a really considerate and aware person)
• presitigious liberal arts education/vocabulary
• sharp wit Many of Troy's lines in Community are improvised
• is diplomatic about race In interviews he's been asked about how the role of Troy was originally meant to be a white male, and in response he's said, "Well, let's face it, I am pretty white.. I'm basically a black hipster." He's definitely aware of race, the legacies of racism and the consequences today (see his tweets re: Trayvon Martin). Yet, he seems to have that incredible ability to navigate different contexts (elite white Hollywood land and the black underground hip-hop scene and err'ything in between) while still being his laid back, affable self. Again, his intersection of class & race makes him a super special, awesome, generalization-defying dude. Baratunde Thurston would be proud. 

Where to begin if not a fan yet? Community Season 1, the pilot episode. Then I'd jump to season 3, "Origins of Vampire Mythology." He was awesome in that. Also, watching his stand-up exponentially increased my admiration levels.

Number Three: Marcus Samuelsson

Most famous for being a celebrity chef on the Food Network.

Other credits: guest chef for Obama, owner of Red Rooster in Harlem, philanthropist, author of several cookbooks and a memoir Yes, Chef

Basic info: 42 years old, Ethiopian-born & Swedish-raised, graduate of Gothenberg Culinary Institute

Why I respect him: I first saw Marcus Samuelsson as a guest on Chopped and noticed immediately how polite, articulate and encouraging he was in everything he said. Later, I saw him display his cooking chops on The Next Iron Chef America (he was cut WAY too early) and in Chopped Champions II (which he won!). What impressed me is his ambition in every challenge to tackle really complex dishes and new combinations--he doesn't settle for mediocre or "safe." What sealed the deal was the charity he competed for, Careers through Culinary Arts Program, and how he talked so passionately about creating avenues for young, low-income black youth to experience success and satisfaction in American society instead of getting disillusioned and ending up dead/in prison. I respect that he immersed himself in Harlem and really took in its history and politics and he's so game to invest in the community. LASTLY, he created an entire website, Food Republic, as a means to fight gender norms by encouraging men to cook and host. In sum, Samuelsson is a killer chef + social activist + paradigm shifter. WTF, how does he exist?

Winning traits:

• trans-racially adopted Gives him such a unique perspective! How many people do YOU know that are Ethiopian-Swedish? His multicultural background makes him appreciate and value others' culture and his also grants him this huge edge in fusion cooking that isn't cultural appropriation but comes from a sincere place.
• middle class upbringing
• multilingual (Swedish, English, some Amharic and German)
• prestigious culinary background Yet he earned every promotion, slowly working his way up from prep boy to head chef.
• down-to-earth, kind-hearted This man deserves every bit of fame and them some!
• knows what's up about race He identifies with people of color in the U.S. and just "gets it" even though he grew up in Sweden. It's awesome. And he expresses it all in a polite but firm way, like when he explained how young black men in Harlem have few opportunities for success, which is why Careers through Culinary Arts is so important. 

Where to begin if not a fan yet? Watch for him on Chopped! I promise, his warmth and humanity will shine through. It's incredible. Also, his memoir, Yes, Chef, is really heartwarming.

Themes

So there are definitely some apparent commonalities among these three celebrities. The main reason why I think they're the bees knees is that they carry the unique identities of being both middle class and people of color, which makes them their own special breed. They all at once belong nowhere, yet can adapt anywhere. They're in touch with oppressed groups (due to race) yet also travel in highly exclusive and elite social circles. They're basically amazing and--I'll say it--they are my role models!

What celebrities (if any) would you endorse?

Mandatory Hunger Games Post

 Ugggggggggggh, I've been putting off posting about the Hunger Games series by Suzanne Collins because I know that admitting I read the books is like saying I liked the movie The Notebook by Nicholas Sparks (which by the way I did NOT).Blargh, I hate myself for liking something so mainstream and over-hyped. BUT despite my many reservations, I have to give Collins props for including a lot of relevant social themes that would really benefit Americans to think about every once in awhile (instead of living in denial through various mind-altering substances and TV programs like Gossip Girl and Jersey Shore). Wake up, people! Sh1t is going down and denying it will only make it worse. Sorry, I just have to indict greater "society" every once and awhile. #SOAPBOXMOMENT

Here is an exhaustive list of the themes that I appreciate from The Hunger Games. Feel free to chime in if I missed something. :)

Social Themes from The Hunger Games series by Suzanne Collins

• Classism/Poverty: The oppression and exploitation of traditionally "blue collar" laborers (mining, farming, etc.) uhhhhhh this might make all the little kids read about it actually wonder, "Who picks the grapes that I'm eating?" or "Who put my [stupid freaking/totally unnecessary] iPhone together?" Hahaha, good job, Suzanne Collins, for tipping your hat to the victims of globalization. 
• Colonization/Globalization/Mercantilism: One "developed entity" (District 1="The West") enjoys the finished products of smaller "developing" regions that provide cheap labor and raw materials
• Gender Roles: It's kind of amazing that Katniss isn't a helpless damsel in distress like the person Kristen Stewart plays in Twilight. Was her name Bella? Anyway, Katniss actually has a personality (???) and is competent in survival skills (???). She don't need to man to stay alive. Um, how ballsy is that to have a self-sufficient woman who does not necessarily find her ultimate satisfaction in snagging a hubbie??
• War's Moral Ambiguity/Pacifism: Do ends justify means? I think about the arguments for torture techniques with POW "terrorists." Does the waterboarding and electro-shocking justify the "intelligence" gained, the potential lives saved? (Amnesty International would say, "no.") Is accidentally killing civilians when trying to expose "terrorists" a "necessary evil" for peace? When Gale leads the avalanche on District 2, when the children (and then Prim) are bombed at the Capital, can you say that was the only way to end the violence? Fight violence with more violence? Have you read The Weight of Glory by C.S. Lewis? One of his speeches is "Why I am not a Pacifist." I could go on and on about this and never reach a conclusion.
• Mass Media/Brainwashing/Propaganda: If the government controls the dissemination of all information, can the masses be manipulated into submission without any opposing perspectives? What is truth? How critically do we really think when we read news articles, watch footage, etc.? More and more I see how easily human minds can be molded by dogma, tradition, irrationality--ack, it's kind of frightening.
• Rugged Individualism (Dehumanization) vs. Collectivism (Compassion): In the arena will "good will" or "kill or be killed" reign? When forced under the most difficult of circumstances, are we all just animals looking to protect our own livelihood and interests at the cost of others'?
• Politics/Power: It's All Messy/Everyone is Corrupt/Self-Interest Rules: The idea of gray area, no distinct "good guys" vs. "bad guys," especially when it comes to institutional power and maintaining it. In order to gain power and maintain it, a lot of moral concessions/compromises have to be made. E.g. Katniss killed Coin b/c she knew Coin would protect her own incumbency (which Katniss threatened). Check out political theory about this; it's fascinating.
• Substance Abuse/Dependency/Escapism: Haymitch as a (mostly) functional alcoholic in order to cope with loss and the harshness of reality.. Johanna and Katniss becoming dependent on morphling, as well as many of the surviving Victors from past Games. When reality becomes too tough to bear, when you feel helpless and cornered, just tap out with drugs. They don't take away the pain but at least they dull it. I talked to my gpa about this the other day and we agreed that those who become chemically dependent are those who are just so sensitive, that feel their own pain and the pain of others so acutely that they just can't take it; it's too overwhelming. Anyway, I'm glad that Collins included this, even though it may seem to "dark" for kids.
• Reality TV/Video Cameras Shape Personal Behavior/Acting in Order to Be Watched: Dude, this is real and it is live. On a grand scale, celebs and rich people are glorified in reality TV which capitalizes on the human penchant for voyeurism. They live it up, act dramatic and are often not themselves--they play up a caricature for the audience. How much is that happening now at the grassroots level through Facebook, Twitter and MySpace? How many people are constructing themselves to "be seen" by peers as a certain "character" (popular, witty, sexy). How much of personal decisions and choices are made just in order to "post" about them later? I mean, this is really scary. 
• Diaspora/Refugee Status/Displacement: The reality of refugees and a lot of immigrants is that you're stuck in this double-bind: you can't go back to your homeland because it's f*cked up there (civil war, government repression/corruption, mass poverty) but the new place you're in is just not that great (cultural vertigo, rootlessness). This is somewhat like Katniss & all of District 12 when their home is destroyed and they are forced to flee to District 13 which is rigid, strictand not dream-like/ideal at all. Oh, the tragedy of displacement!
• PTSD/Trauma Bites: Enuf said. Peeta & Katniss with their vivid nightmares after witnessing the deaths of many, mass killing through bombing and fire, torture, near-death experiences. All of these count as "traumatic incidents" in the DSM-IV, and they take a toll. I'm glad that in the books they don't get over it, that they're scarred and haunted, that it affects their daily functioning. WELCOME TO THE LIFE OF A REFUGEE. Damn.
• Savior Complex/Non-Harm/Tragic Hero: Okay, so maybe this isn't original AT ALL (see: Harry Potter), but I feel for Katniss when she takes on that enormously heavy responsibility of protecting the well-being of her vulnerable dependents (mother, sister, Peeta, Gale, etc.). She takes it all upon herself to act "right" in order to prevent harm to them, and to help the vulnerable citizens in the oppressed districts, yet finds that all she does is get people killed! (People are dying left & right for her! I mean, in the third book, dang--so many casualties. I think of that bombed hospital, just awful). And although she realizes she has enormous power to rally the "people," she's overwhelmed by feelings of inadequacy and an acute awareness of her own imperfections, her impulsiveness. The ultimate lesson is don't try to be anyone's angel, okay? Hah. CanNOT stress this enough.
• Vanity/Bourgeois Culture: It's a reality that in the Hunger Games, physical appearance and pageantry are almost as valuable as practical skills used in the arena. Again, it's about projecting an image, of "beauty" being indicative of one's level of intelligence, competence, and even character (I'm not even kidding)! And it's like, for the coddled, spoiled Capital peeps, they become fixated upon vanity, hedonism (bingeing/purging), celebrity, gossip. They're just oblivious of the underclass. Grrrr.. it's too real.
• Possibility for a Multiethnic Cast: Dude, not everyone is just assumed to be white. What? is going on? Science fiction never has people of color. (Okay, sure, you could point to the captain of Deep Space Nine but that is an EXCEPTION, not the rule) Buuut wait? Katniss and Gale have olive skin, grey eyes and black hair--the "Seam look" sounds awfully NATIVE to me. Also, her dad knows how to hunt, has knowledge of nature (plants, etc.), sings folk songs--am I just reading way too into this? Whatever, I don't care what people say. I'm going to believe that Katniss is half Native and half white, okay?! Also, Rue and Thresh--hey they're black! Amaaazing. I mean, they both die; I was expecting that (just watch any horror or action flick, the people of color get picked off mighty early on, if they're included at all). But Rue is just sweet, resourceful and Thresh is a bad@$$ yet merciful in not killing Katniss. I'm just mad-pleased that there are ANY people of color, so hey, mega props to u, Suzanne Collins. Thanx. Maybe next time try including Asian Americans. We have a lot of purchasing power. Our median income is higher than the white man's; take note.
• Suicide as Rational Choice: Wow, loved the "Hanging Tree." Whoa.. I mean, do we ever as humans have the actual wisdom and discernment to know if things have gotten so bad that dying is better than anything else that could happen were we to continue living? Haha, in my political science/econ classes they talk about the "rational choice" of people doing "irrational" things like suicide bombings. It's like, hey professors up in your ivory towers, people aren't having crazy dissociative breaks when they commit suicide. They have viable reasons for doing so--I don't need to read your 20-page journal article to figure this out. lol, or think about the Death with Dignity Act. Do the elderly really think that dying is a better option than living with chronic illnesses and pain? Or, in the case of Katniss with Peeta, how could she have actually known and convinced herself that there was no hope for his psychological recovery--enough to "mercy kill" him? As humans we have the agency to kill ourselves and to kill others. What causes some to use this agency and others to not? Desperation? Fear? Hopelessness? Hubris?
• LOVE PREVAILS: Okay, I'm always a sucker for a happy ending. But just this notion that has survived through history--that out of the ashes something truly beautiful can emerge; it's irresistible to me. HOPE. RENEWAL. LIFE. "What I need is the dandelion in the spring. The bright yellow that means rebirth instead of descruction. The promise that life can go on, no matter how bad our losses. That it can be good again" (388). Uh, YES and PLEASE.

 Haha, I actually really enjoy the Hunger Games just because it provides a non-threatening way to talk about some really controversial stuff. Because you can talk all "hypothetically" by discussing the characters and their choices, rather than the actual "political"/historical stuff--cuz, like I said, that can be "too real" for some, you know? Yo, but for all of the deep thinkers out there (i.e. all my close friends and a lot of my family), it's just another excuse to wax philosophical/theological/intellectual--just talk for a really long time about abstract concepts and the "future of humanity" and all that stuff. Haha, don't lie, we love it.

Okay, and to make sure this review is a bit more balanced, I've gotta get these last things off my chest.

Gripes about The Hunger Games series by Suzanne Collins 
(i.e. The Author's Popular Fiction Concessions)

•  LOVE TRIANGLE: WTF gag me with an effing spoon. I cannot believe Collins stooped so low to attract more readers. UGH whyyyyy pander to the base sentimentality of the general populaaace??? Booooooooo. And why does Katniss have to choose the middle class boy with the Aryan features instead of the low-income, savvy Native-looking dude with the rock hard body?? Suzanne Collins, you don't have to keep reinforcing what Stephanie Meyers already did in Twilight where the girl ends up choosing the paler, "civilized" dude instead of the woodsy, OLIVE SKINNED, BLACK HAIRED Native guy. Actually Suzanne, I bet you did this subconsciously and implicitly. I'll let you get away with it this time, but learn from this and make your next series better, okay?
• Peeta: Noooo Suzanne Collins, don't do this to teenaged girls all around the world. What guy out there is as self-aware, verbally expressive and (almost creepily) self-sacrificing/protective as Peeta? I mean, damn, woman, Peeta is a trifecta of un-reality--it's just blinding. Teenaged girls of the world, prepare for a rude awakening when you realize your Peeta is never coming for you. Come on, Suzanne, you're better than this--better than feeding the overstuffed, genetically mutated knight-in-shining-armor COW that IS young girls' minds. I'm not saying that men cannot be sensitive, articulate, self-aware and self-sacrificing buuuuuuuuut you'd have to admit, it's kind of rare? (Tell me if I'm way out of line here).
• War Melodrama or "Katniss almost-dies a million times: Seriously, how many times does she have to black out from an injury in "battle" and wake up in some emergency room hooked up to a morphling drip?! You know this is a legitimate gripe. Again, I understand that the "drama" of it all keeps readers on the edge of their seats and appeals to a wider audience, but could we go for more understatement next time?

Well, no more glaring gripes from this chica! As you can see, way more commendations for Collins than admonitions.  Along the lines of "pretty fly for a white guy," (sorry if I offend people with this reverse-racist microaggresion) I think The Hunger Games series is "pretty dope for popular fiction." Yah.

THE END

Thanx 4 reading.

My Top Books of 2011

1. The Absolutely True Diary of a Part-Time Indian by Sherman Alexie
I have been recommending this book to any and everyone possible (Sorry to y'all whom I've been pestering, but seriously, you should check it out!). Absolutely True Diary changed my life. This coming of age first-person narrative of Arnold, a Native American teen, honestly depicts the harshness of reservation life and the pressure to fit in & become "successful" in mainstream white society. It is at times heartbreaking but above all heartFELT and honest. Alexie succeeds in articulating the Native American experience with depth, clarity and a sense of humor. He "gets it." I identified immensely with the protagonist, Arnold, God bless him. Reading this book made me proud to be a person of color and it made me feel so much less alone!! Ugh, this book is just amazing. HEART.

2. Trauma Stewardship: An Everyday Guide to Caring for Self While Caring for Others by Laura van Dernoot Lipsky
This year I experienced the deepest sense of burnout ever in my life. Social work/justice/ethical living completely overwhelmed me and I was extremely unhappy. Volunteering, being a vegetarian, taking public transit, buying fair trade and doing independent research of domestic & international social problems became a burden of responsibility driven by privileged guilt and most importantly, a sense of duty. It took an especially dramatic panic attack during winter quarter for me to finally snap out of it and realize, "Okay, this isn't working." This past summer I took the first actual vacation from volunteerism in years, read this book and FINALLY started to understand what "self-care" looks like. Lipsky stresses the importance of being gentle on yourself and intentionally seeking out ways to nourish body, mind and soul. I feel so much better nowadays, and don't live with the nagging guilt that I don't "deserve" a break (e.g. an afternoon at the spa, a special drink from a cafe, an expensive @$$ fair-trade candle from Honduras). I'm hanging up my savior-complex role and accepting with utmost relief that there are many, many other people striving for just causes & advocating for the most oppressed, traumatized people in this world. It's not all on my shoulders and I don't have to be "working" 24/7. In fact, through this book I learned that it's essential to limit my involvement in social welfare in order to preserve my sanity for the long haul. It's a marathon, not a sprint. Whew. Thank you, Laura van Dernoot Lipsky! I recommend this book to ALL social workers, nurses, MHPs, activists and "overactive-empathizers," as I like to call them (I am one!!!).

3. An Atlas of Impossible Longing by Anuradha Roy 
I am a sucker for authors with uber-precise, jealousy-inducing prose. Anuradha Roy kills! Her attention to detail, her jarringly realistic, tragic protagonists--incredible! I mean, sure, it's an epic "love story," but Roy manages to effortlessly bypass common cliches and make everything fresh. It follows three generations of the same family, much like Steinbeck's East of Eden, but thankfully, the novel is much less dark and creepy, if you know what I mean. The story just pulls you in. She gets to the heart of what it means to be human: insecurity, ambition, greed, pride. This book is a joy to read.